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APPENDIX
2) Bank-Select MSB adds an SFX bank
The Bank-Select LSB method is not useful for extension of distinctive SFX voices that
have no meaningful variation. For this reason the XG format supports a full SFX bank
of extension effects, which you can select by sending a Bank-Select MSB value of 40H.
Bank-Select MSB 7H, in contrast, can be used to set any channel to rhythm-part play.
●
Voice Modification: The XG format allows creation of extremely expressive control data
that can darken or lighten voices, delay or accelerate sound start-up, or implement many
other types of control. Most controls are issued by Control Change commands, although
System Exclusive messages are also used.
●
Effects: The XG format offers high-level effects support, enabling control of effects types,
circuit operation, and internal parameter settings for both basic and elaborate effects. De-
vices equipped with graphic equalizers will be able to modify ambience and sound to suit
the specific type of music being played.
●
External Input: Whereas existing tone generators create sound in response to internal data
only, the XG format provides for real-time participation by adding support for input of exter-
nal audio signals. External signals can be processed by the mixer in the same way as internal
tone-generator data. A model that supports this function would allow you, for example, to cre-
ate karaoke data that can automatically set the microphone echo used for playback.
New MIDI messages not available under GM format
1. Control Change
Bank Select
Portamento Time
Portamento
Sostenuto
Soft Pedal
Harmonic Content
Release Time
Attack Time
Brightness
Portamento Control
Effects Send Level 1 (Reverb)
Effects Send Level 2 (Chorus)
Effects Send Level 3 (Variation)
RPN Data Increment/Decrement
NRPN Part Parameter Control
RPN
All Sound Off
Reset All Controllers
All Notes Off
2. Channel Mode Messages
3. Polyphonic Aftertouch
4. Channel Aftertouch
- Welcome to the MU80 4
- Unpacking 5
- Table of Contents 6
- REFERENCE 7
- How to Use This Manual 8
- Precautions 9
- YOURSELF 10
- ■ MIDI CABLES 10
- The Controls of the MU80 11
- THE CONTROLS OF THE MU80 12
- Rear Panel 13
- What It Is… 14
- What It Can Do… 15
- About the Modes of the MU80 16
- Note Limit Low 18
- Part Edit Mode 20
- Setting Up Your MU80 22
- Powering Up 24
- Playing the Demo Song 25
- Operation 26
- Selecting Voices 27
- Changing the Voice Bank 28
- GUIDED TOUR 29
- Current Volume setting 32
- Current Pan setting 32
- Using Mute/Solo 33
- Using the A/D Input 34
- Connecting With a Computer 36
- IBM PC and Clones 37
- Sequencer 38
- MIDI OUT MIDI IN 38
- MIDI CABLE 38
- Data Flow Block Diagram 41
- DIN 5-PIN DIN 5-PIN 42
- EFERENCE 43
- Multi Mode 44
- Multi Play Mode 45
- Play Displays 45
- Part Controls 46
- Single Part Control 47
- Bank Number 48
- Program (Voice) Number 48
- Expression 49
- Reverb Send 49
- Chorus Send 50
- Variation Send 50
- Note Shift 50
- All Part Control 51
- Master Volume (M.Volum) 52
- Master Attenuator (M.Attn) 52
- Reverb Return (RevRtn) 52
- Chorus Return (ChoRtn) 53
- Variation Return (VarRtn) 53
- Transpose 53
- Multi Edit Mode 54
- Cutoff Frequency 55
- Resonance 55
- EG (Envelope Generator) 56
- EG Attack Time 57
- EG Decay Time 58
- EG Release Time 58
- Pitch EG Parameters 59
- Vibrato Rate 61
- Vibrato Depth 62
- Vibrato Delay 62
- MULTI MODE 63
- Part Mode 64
- For TG300B mode: 65
- For C/M mode: 65
- For PFM (Performance) mode: 65
- Mono/Poly Mode 65
- Velocity 66
- Note Limit Parameters 67
- Dry Level 70
- (MW LFOPMod) 70
- Drum Setup Controls 71
- Drum Setup Parameters 72
- Chorus Send (Cho Send) 73
- Variation Send (Var Send) 73
- Cutoff Frequency (CutoffFreq) 73
- Alternate Group (AlterGroup) 74
- Receive Note On (RcvNoteOn) 74
- EG Attack 75
- EG Decay 1 75
- EG Decay 2 75
- Performance Mode 76
- PERFORMANCE MODE 78
- Performance number 78
- Performance Part Control 79
- Reverb Send (Rev Send) 80
- Note Shift (NoteSft) 81
- All Part 82
- Performance Volume (Pfm Vol) 83
- Performance Pan (Pfm Pan) 83
- System Transpose (SysTran) 84
- Performance Edit Mode 85
- Performance name 86
- A/D Part 87
- Copy and Store Operations 93
- Performance number 95
- Effect Edit Mode 96
- Reverb Pan (RevPan) 97
- Chorus Pan (ChoPan) 98
- Variation 99
- Distortion 101
- Dry/Wet Balance 102
- Distortion Part (Dist Part) 102
- System and Insertion 103
- Distortion can be 104
- Part at a time 104
- DRY LINE 105
- Equalizer (EQ) Edit 106
- EQ Frequency Parameters 107
- Utility Mode 108
- Mute Lock 109
- A/D Part Lock 109
- UTILITY MODE 110
- Contrast 111
- Dump Interval (DumpIntrval) 111
- Dump Out Functions 112
- Performance (PERFORM) 114
- Initialize Functions 115
- Factory Settings (FactSet) 116
- Selected Sound Module Mode: 116
- Drum (DrumInit) 117
- Demo Song Play (DEMO) 118
- Sound Module Mode (MODE) 119
- About Cable Messages 120
- Chapter 0: Format Overview 122
- Basic Concepts 123
- Additions to the GM format 123
- APPENDIX 124
- 1. Key On/Key Off 125
- 2. Program Change 125
- 3. Pitchbend 125
- 4. Control Change 126
- 5. Channel Aftertouch 133
- 6. Polyphonic Aftertouch 134
- 7. Exclusive Messages 134
- Troubleshooting 137
- Error Messages 138
- Specifications 139
- Glossary 141
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