Yamaha Sound Editor ver. 2.10 Dokumentacja Pobierz pdf

This material is based on work supported by the National Science Foundation under CCLI Grant DUE 0717743,

Jennifer Burg PI, Jason Romney, Co-PI.

1 Chapter 1 Getting Ready .................................................................. 2

1.1 Sounds Like Fun! ....................................................................... 2

1.2 How This Book is Organized ........................................................ 2

1.3 A Brief History of Digital Sound ................................................... 2

1.4 Basic Terminology ..................................................................... 4

1.4.1 Analog vs. Digital ................................................................. 4

1.4.2 Digital Audio vs. MIDI ........................................................... 4

1.5 Setting up Your Work Environment .............................................. 5

1.5.1 Overview ............................................................................ 5

1.5.2 Hardware for Digital Audio and MIDI Processing ...................... 7

1.5.2.1 Computer System Requirements ...................................... 7

1.5.2.2 Digital Audio Interface .................................................. 10

1.5.2.3 Drivers ........................................................................ 11

1.5.2.4 MIDI Keyboard ............................................................. 11

1.5.2.5 Recording Devices ........................................................ 12

1.5.2.6 Microphones ................................................................ 14

1.5.2.7 Direct Input Devices ..................................................... 22

1.5.2.8 Monitor Loudspeakers ................................................... 24

1.5.2.9 Studio Headphones ....................................................... 25

1.5.2.10 Cables and Connectors ................................................. 25

1.5.2.11 Dedicated Hardware Processors ..................................... 37

1.5.2.12 Mixers ........................................................................ 38

1.5.2.13 Loudspeakers .............................................................. 40

1.5.2.14 Analysis Hardware ....................................................... 41

1.5.3 Software for Digital Audio and MIDI Processing...................... 42

1.5.3.1 The Basics ................................................................... 42

1.5.3.2 Logic .......................................................................... 44

1.5.3.3 Cakewalk Sonar and Music Creator ................................. 45

1.5.3.4 Adobe Audition ............................................................ 46

1.5.3.5 Audacity ...................................................................... 46

1.5.3.6 Reason ....................................................................... 47

1.5.3.7 Software Plug-Ins ......................................................... 48

1.5.3.8 Music Composing and Notation Software ......................... 49

1.5.3.9 Working in the Linux Environment .................................. 49

1.5.4 Software for Live Performances ........................................... 51

1.6 Learning Supplements ............................................................. 52

1.6.1 Practical Exercises ............................................................. 52

1.6.2 Flash Tutorials ................................................................... 53

1.6.3 Max and Pure Data (PD) ..................................................... 53

1.6.4 MATLAB and Octave ........................................................... 55

1.6.5 C++ and Java Programming Exercises .................................. 56

1.7 Where to Go from Here ............................................................ 57

1.8 References ............................................................................. 57

1 2 3 4 5 6 ... 56 57

Podsumowanie treści

Strona 1

This material is based on work supported by the National Science Foundation under CCLI Grant DUE 0717743, Jennifer Burg PI, Jason Romney, Co-PI. 1 C

Strona 2 - 1 Chapter 1 Getting Ready

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 10 400 and 800 devices on the same bus is not a g

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 11 1.5.2.3 Drivers A driver is a program that a

Strona 4 - 1.4.1 Analog vs. Digital

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 12 Figure 1.5 M-Audio Oxygen8 25-key MIDI keyboa

Strona 5 - 1.5.1 Overview

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 13 have one or two built-in microphones with the

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 14 Figure 1.9 A dedicated 48-channel multitrack

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 15 sometimes be provided by a battery. The conduc

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 16 about the physical relationship between the mi

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 17 Figure 1.10 Shure SM58 dynamic microphone Fi

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 18 Figure 1.12 Polar plot for an omnidirectional

Strona 11 - 1.5.2.4 MIDI Keyboard

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 19 Figure 1.14 Polar plot for a cardioid microph

Strona 12 - 1.5.2.5 Recording Devices

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 2 1 Chapter 1 Getting Ready 1.1 Sounds Like Fun!

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 20 A special category of microphone called a shot

Strona 14 - 1.5.2.6 Microphones

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 21 Figure 1.18 Polar plot of a dynamic cardioid

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 22 Some microphones may have a very flat frequ

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 23 achieving. In a recording situation, you can o

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 24 1.5.2.8 Monitor Loudspeakers Just like you us

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 25 1.5.2.9 Studio Headphones Good-quality refere

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 26 The XLR connector shown in Figure 1.26 is wide

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 27               

Strona 21 - 9876543298765432

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 28 The ¼" phone plug and its corresponding j

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 29 The  " or 3.5 mm phone plug shown in F

Strona 23

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 3 production required a wall full of equipment in

Strona 24

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 30 RCA cable connector RCA panel mount connecto

Strona 25 - 1.5.2.9 Studio Headphones

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 31 be found on antenna cables in wireless microph

Strona 26 - Figure 1.26 XLR connectors

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 32 connections from a power amplifier to more tha

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 33 size and shape but are keyed slightly differen

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 34 Speakon NL2 cable connector Speakon NL2 pane

Strona 29 - Figure 1.30 3.5 mm or

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 35 connector. CAT5e cable is used for computer ne

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 36 Male Toslink connector Female Toslink connec

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 37 can also create powercon patch cables that all

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 38 workstation experiences a glitch, it's us

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 39 after analog mixers to make it easier for soun

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 4 1.4 Basic Terminology 1.4.1 Analog vs. Digital

Strona 35 - Figure 1.37 RJ45 connectors

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 40 Figure 1.45 Touch device control surface app

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 41 Figure 1.46 Meyer UPA-1P loudspeaker 1.5.2.1

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 42 1.5.3 Software for Digital Audio and MIDI Pro

Strona 38 - 1.5.2.12 Mixers

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 43 Figure 1.48 A sample editor window zoomed dow

Strona 39

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 44 of software change all the time, so you should

Strona 40 - 1.5.2.13 Loudspeakers

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 45 Figure 1.49 Logic Pro workspace 1.5.3.3 Cake

Strona 41 - 1.5.2.14 Analysis Hardware

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 46 Figure 1.50 Cakewalk Sonar workspace, multitr

Strona 42 - 1.5.3.1 The Basics

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 47 Figure 1.51 Audacity audio editing software 1

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 48 Figure 1.52 Reason software instrument rack 1

Strona 44 - 1.5.3.2 Logic

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 49 editor. For example, you might want to change

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 5 in Hertz (samples/second). The sound being det

Strona 46 - 1.5.3.5 Audacity

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 50 Figure 1.54 Ardour, free digital audio proces

Strona 47 - 1.5.3.6 Reason

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 51 1.5.4 Software for Live Performances There ar

Strona 48 - 1.5.3.7 Software Plug-Ins

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 52 Figure 1.57 SFX playback software from Stage

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 53 in the PDF file and go directly to the learnin

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 54 object communications. This functionality is e

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 55 If you can‟t afford Max, you might consider a

Strona 52 - 1.6.1 Practical Exercises

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 56 Figure 1.64 MATLAB mathematical modeling env

Strona 53 - 1.6.2 Flash Tutorials

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 57 This book is intended to be useful not only to

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 6 Figure 1.1 Basic setup and signal flow of a d

Strona 55 - 1.6.4 MATLAB and Octave

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 7 Thirdly, to use this book most effectively you‟

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Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 8 Computer Desktop or laptop with a fast processo

Strona 57 - 1.8 References

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 9 computer. All of these instrument samples have

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