Yamaha MU80 Instrukcja Użytkownika Pobierz pdf (Strona 46)

XGedit95 User Manual Page 46

Resolution - the author should be aware that the order of some events is important (particularly

controller changes such as Bank select, Program Change, Continuous Controllers and

RPN/NRPN). If such events are placed at the same ‘midi tick’ within a song, their ordering may

not be guaranteed when replayed on different sequencers. To ensure that this does not cause

problems the author should make sure that such events are correctly ordered and separated by

at least an interval of 1/480 (i.e. one high resolution midi tick). Continuous controller data should

also be thinned to intervals of 5/480 to avoid tempo instabilities.

Tempo - tempo should be kept within the range 32 - 250 bpm

Setup Bars - You should leave a couple of bars before the first note event of a song, to allow for

the insertion of setup data (See

Setup Bar

). If you intend to process the file via XGedit, these

bars are not necessary as XGedit will insert them for you. However it is always good practice to

start with as you may wish to enter some initialisation data within your sequencer.

Voice changes - In the final song the setup bar will contain all the parameters necessary to

configure the synth (including any specially edited voices). If you wish to change the voice

assignment of a musical track during the body of a song (e.g. switch the melody line from a guitar

to flute) it is best to do this by assigning the new voice to a separate synth part. In this way the

new voice may be configured in the initialisation setup bar, rather than sending a mass of data

during the body of song (which could cause timing problems and/or lost notes).

Track MIDI Channel Comment

Rhythm 10 Dedicated Rhythm part

Melody 1 Main melody line

Sub Melody/ solo/ accomp 2 solo part or important backing

Bass 3 Bass part

Pad 4 backing part with mostly sustained notes

Riff 5 rhythmic backing

Once you have planned your song you may wish to switch to XGedit and assign the initial voices to each

track. To do this make a note of the track to midi channel allocations within the sequencer. Then within

XGedit assign the required voices to the synth parts on the corresponding midi channels. At this stage only

worry about getting the basic sounds correct (further refinement of the voice character and overall mix can

be performed later when you have some music to work with).

Having completed the voice assignment you may now start recording midi data using the features of your

sequencer.

After recording each track you may wish to set the song playing in a loop and switch back to XGedit to

perform some voice refinement.

REMEMBER TO SAVE YOUR WORK REGULARLY FROM BOTH XGEDIT AND YOUR SEQUENCER.

15.3.2

Edit The Sounds

Once you have recorded one or more tracks of your song you will want to perform some more thorough

voice editing. The best way to do this is using the dual program configuration (see

Dual Mode

) with the

song playing from the sequencer in an endless loop.

Alternatively you may wish to use the built in midi file play capability of XGedit (although this is likely to be

much less flexible than your sequencers capabilities)

With the song playing you should adjust the XGedit controls such that you hear all edits in real time. This

provides greater feedback of how the edits affect the sounds within an overall mix context and is much

better than attempting to edit an individual voice played solo.

If you do wish to mute certain voices, then use the NOte enable LED within the Enables module. Always

remember to re-enable any voices muted in this manner before returning to your sequencer.

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