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Arpeggio Mode
245
Arpeggio Record
Mode
In Arpeggio Record mode there are two methods
available for recording arpeggio sequence data, real
time recording and step recording. There are also
various functions related to recording arpeggios and a
maximum of 50 arpeggios, each of which are
accompanied with the settings in Arpeggio Mode
screen, can be stored in the internal memory. For
organizing your arpeggios, they can be stored to floppy
disk so that you can make use of them whenever you
like.
Real Time Recording: Just like a multi-track recorder,
the actual performance is recorded as you play. Because
the performance is recorded exactly as played, the
subtle nuances and feeling of the recording are
accurately expressed.
Step Recording: Just like writing music on a music
score, each note is programmed in separately. You can
confirm each beat of the measure in the screen as you
perform operations. Therefore this type of recording is
perfect for programming repetitive phrases and bass
lines that require precision.
Arpeggiator will use the sequence data recorded here as
its basic patterns. An arpeggio consists of four tracks.
The arpeggio tracks, pattern tracks and song tracks
share the same 16 parts of the tone generator. The
MIDI channels for each arpeggio track can be set in
Arp CH parameter of the Voice Mode Setup in Voice
mode and of the COM menu in Performance mode,
respectively.
The arpeggio sequencer doesn’t read the messages of the
program change and system exclusive.
How to Enter the Arpeggio
Record Mode
When in the Arpeggio Mode screen, press the
sequencer [REC] (Recording) key. The [REC] light will
be lit indicating that Arpeggio Record mode has been
engaged, and is now in standby status.
Press [REC] once more or [STOP] to return to
Arpeggio Mode screen.
When you enter the Arpeggio Record mode, the sub
menus below appear in the screen. There are four
menus in the Arpeggio Record mode.
[F1]: ARP(Settings related to recording arpeggios)
Recording Mode
[F5]: STEP (Selecting Step recording)
[F6]: OVER (Select Overdubbing)
[F7]: RPLC (Selecting Replace recording)
[F1]: ARP (Arpeggio)
These are various settings related to recording an
arpeggio, such as selecting a track for recording, and
setting the time signature and tempo. In addition to
those settings, there are Mute on/off and Play Effects
Thru on/off for each of the playback tracks (tracks
1~4).
Many of the parameters here are found in Arpeggio
Mode screen (page 238). Only the parameters that
differ from those described in Arpeggio Mode screen
will be explained.
F1 F5 F6 F7
Arpeggio/E/qx 5/21/98 11:50 AM Page 245
- OWNER’S MANUAL 1
- SPECIAL MESSAGE SECTION 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- PLEASE KEEP THIS MANUAL 3
- FCC INFORMATION (U.S.A.) 4
- PRECAUTIONS 5
- About the Manual 6
- Included Accessories 6
- Contents 7
- Introductory Section 8
- 1 2 3 4 5 6 10
- Introductory 11
- Rear Panel 14
- Setting Up 16
- External Controllers 17
- Audio Connections 18
- ■ Mixing Console 19
- INDIVIDUAL OUTPUT 20
- SCSI Interface (Option) 21
- MIDI Connections 22
- EX5/5R/7 23
- Power-on Procedure 24
- The Supplied Disks, Demos 25
- & Factory Set Data 25
- 3 Select File Load 26
- 4 Select All Data 26
- 5 Select a file and load 26
- 6 Play the song 26
- 7 Try other demo files 26
- System Initialization 27
- EX System Overview 28
- Extended Synthesis 29
- ■ Layered AWM Voices 30
- ■ Controllers & Modifiers 31
- ■ VL System Overview 32
- ■ VL + AWM Voices 32
- ■ AN System Overview 33
- FDSP Synthesis 34
- ■ AN+FDSP Voices 35
- Voice & Performance 36
- Selection 36
- ■ Selecting By Category 38
- System Overview 40
- AMPLITUDE 41
- ■ Overall System Structure 42
- ■ Element Configuration 43
- ■ Element Combinations 43
- Polyphony 45
- Editing Control 45
- ■ Element Muting 46
- ■ Direct Edit Page Selection 46
- ■ Compare & Store 47
- Voice Store Procedure 48
- ■ Layers 49
- ■ Split Keyboard 50
- ■ Velocity Switching 50
- ■ Arpeggiator Accompaniment 51
- ■ Multi-timbre Tone Generator 51
- Performance Store Procedure 53
- The Controllers 55
- ■ Storing a Scene 57
- Controller Sets 58
- ■ Controller Set Remapping 59
- Sequencer Functions 60
- ● The Arpeggiator 61
- ● Replace 62
- ● Overdub 62
- ■ Sequence Editing 63
- The EX Effect System 65
- Insertion Effects 66
- Effects In the Voice Mode 66
- Effect Bypass 67
- Sampling 69
- ■ Setting Levels 70
- Save Samples to Disk 71
- The Key Map Mode 72
- 4 Specify a pattern or sample 73
- 5 Specify a play mode 73
- 6 Continue as required 73
- Reference Section 75
- Voice Edit Mode 76
- Normal Voice (AWM Element) 77
- [F7]: ARP (Arpeggio) 79
- [F3]: WAVE-EDIT 81
- [F7]: SCALE 83
- LPF (Low Pass Filter) 88
- HPF (High Pass Filter) 89
- BPF (Band Pass Filter) 89
- PEQ (Parametric Equalizer) 90
- [F6]: SENS (Sensitivity) 93
- 0; therefore 98
- [F7]: LFO1 (Low Frequency 100
- Oscillator1) 100
- [F7]: CTRL (Controller) 103
- [F7]: PITCH (Pitch Control) 103
- [F8]: SET (Controller Set) 104
- [F3]: REMAP 104
- F4: TYPE 105
- [F8]: EFCT (Effects) 105
- [F5]: INS1 (Insertion 1) 106
- [F6]: INS2 (Insertion 2) 106
- Normal Voice (VL Element) 107
- (EX5/5R only) 107
- [F4]: FILT (Filter) 109
- [F7]: EQ (Equalizer) 109
- [F5]: AMP (Amplitude) 110
- [F6]: PARAM (Parameters) 110
- [F7]: PITCH 111
- [F8]: SET 111
- Normal Voice (AN Element) 112
- [F2]: OSC (Oscillator) 113
- [F3]: ALG (Algorithm) 113
- Basic Wave 115
- PW=below 64Basic Wave 115
- Pulse Saw Mix 115
- [F5]: MOD (Modulation) 116
- [F6]: WAVE 116
- PEG Decay Time 117
- [F7]: MIX 119
- [F8]: EG (Amplitude Envelope 120
- Generator) 120
- FDSP (Formulated Digital 123
- Sound Processing) 123
- Volume, Distortion 124
- Timbre (Position) 124
- HumbackSingle 127
- 03: Water 128
- 05: Flange 132
- 06: Phaser 133
- 07: Self FM 135
- 08: Tornado 136
- 09: Ring Mod (Ring Modulator) 138
- M.FreqCoarse above 139
- S.FreqCoarse above 139
- 10: Seismic 140
- Drum Voice 141
- [F1]: COM (Common) 142
- [F5]: TUNE 143
- [F8]: ZONE 146
- [F3]: PITCH 146
- Voice Job Mode 148
- [F2]: Recall Voice 149
- [F3]: Copy Voice 149
- Wave Edit Mode 150
- Basic Steps for Wave Edit 151
- (Creating a new wave scratch) 151
- [F5]: NAME 152
- [F6]: SMPL (Sample) 152
- Wave Job Mode 154
- [F1]: Copy Wave 155
- [F2]: Delete Wave 155
- Performance Mode 156
- Selecting a Performance 157
- Performance Edit 158
- Key/Vel Limit 160
- [F6]: EFCT (Effects) 161
- [F6]: TYPE 161
- [F7]: REV (Reverb) 162
- [F8]: CHO (Chorus) 162
- [F8]: NAME 163
- [F2]: PART 164
- [F5]: LYR (Layer) 165
- –64~0~+63 167
- Vib (Vibrato) 168
- [F7]: CTRL (Controllers) 169
- [F8]: PRE (Preset) 170
- [F3]: MLT (Multi) 171
- Performance Job 172
- 1 Source Performance Number 173
- 2 Source Part 173
- 3 Types of Source Data 174
- 5 Destination Part 174
- Sample Mode 175
- Sample Record Mode 176
- Steps for Sampling 1 177
- Steps for Sampling 2 178
- Sample Edit Mode 179
- [F7]: LOOP 181
- Sample Job Mode 182
- [F1]: Copy Sample 183
- [F2]: Delete Sample 183
- [F3]: Append Sample 183
- [F5]: Extract Sample 184
- [F4]: Normalize Sample 184
- Song Mode 185
- Tracks with the 186
- FxThru turned “on” 186
- Mute turned “on” 186
- [F2]: PFX (Play Effects) 187
- Original Data 188
- Quantize Strength = 100% 188
- Quantize Strength = 50% 188
- 76 44 12 107 76 189
- 116 84 52 127 116 189
- [F5]: ALL [F6]: TR(Track) 190
- [F6]: COPY 192
- [F3]: TCH (Transmit Channel) 192
- [F4]: NAME (Song Name) 192
- Song Record Mode 193
- [F1]: SONG 194
- Recording Mode 195
- Real Time Recording: Tr1~Tr16 196
- Real Time Recording: Pattern 196
- Real Time Recording: PFX 197
- Real Time Recording: Tempo 198
- Step Recording: Tr1~Tr16 198
- Inputting Notes 200
- Song Edit Mode 201
- Event Data That Can Be Edited 202
- Inserting Events 204
- Changing Events 204
- Deleting Events 204
- Velocity Rate 205
- Transpose 205
- Song Job Mode 206
- Steps for Executing a Job 207
- 2. Copy Track 208
- 3. Clear Track 208
- 4. Mix Track 208
- 5. Normalize Effect 208
- 6. Time Stretch 208
- [F3]: JOB2 209
- 1. Copy Measure 209
- 2. Erase Measure 209
- 3. Create Measure 209
- 4. Delete Measure 210
- 5. Thin Out 210
- 6. Extract 210
- 7. Chord Sort 211
- 8. Chord Separate 211
- [F4]: JOB3 212
- 1. Quantize 212
- 0% 50% 75% 100% 213
- Available range 213
- 2. Move Clock 214
- 3. Modify GateTime 215
- 4. Modify Velocity 216
- 5. Transpose 217
- 6. Shift Note 217
- 7. Crescendo 217
- 8. Shift Event 218
- [F7]: UNDO/REDO 218
- Pattern Mode 219
- Track 1: rhythm 221
- Track 2: bass line 221
- Four measure loop 221
- One measure loop 221
- [F4]: NAME (Pattern Name) 222
- Pattern Record Mode 223
- [F3]: MULTI 224
- [F5]: STEP 224
- [F6]: OVER(Over Dubbing) 224
- [F7]: RPLC(Replace) 224
- Real Time Recording 224
- Step Recording 225
- Pattern Edit Mode 226
- Pattern Job Mode 227
- 1. Copy Pattern 229
- 2. Clear Pattern 229
- 3. Copy Track 229
- 4. Clear Track 229
- 5. Mix Track 229
- 6. Append Pattern 230
- 7. Split Pattern 230
- 8. Time Stretch 231
- 3. Get Phrase 232
- 4. Put Phrase 232
- ❏ Settings: –9999~+0~+9999 235
- ❏ Settings: –99~+0~+99 236
- Arpeggio Mode 238
- Track Section 239
- FWDREWTOP 240
- REC STOP PLAY 240
- [F3]: MODE 242
- Arpeggio Record 245
- [F7]: RPLC (Replace) 246
- Arpeggio Edit Mode 247
- Arpeggio Job Mode 249
- [F2]: JOB1 250
- 1. Copy Arpeggio 250
- 2. Clear Arpeggio 250
- 6. Append Arpeggio 251
- 7. Split Arpeggio 252
- 4. Thin Out 254
- 5. Extract 254
- 6. Chord Sort 255
- 7. Chord Separate 255
- Disk Mode 259
- Types of Data 260
- Types of Files 260
- F1 F2 F3 F4 F5 F6 F7 261
- [F1]: SAVE (File Save) 263
- [F1]: ALL (All Data) 263
- [F8]: ARP (Arpeggio) 265
- [F2]: LOAD (File Load) 265
- [F2]: SYN (Synth All) 265
- [F3]: VCE (Voice) 266
- [F4]: WAVE 266
- [F5]: SMF (MIDI File) 267
- [F6]: SONG 267
- [F7]: PTN (Pattern) 267
- [F3]: RNAM (File Rename) 268
- [F4]: DEL (Delete) 268
- [F5]: MKDIR (Make Directory) 269
- [F6]: FORM (Device Format) 269
- [F7]: DEV (Device Select) 269
- Utility Mode 270
- -64~0~+63 271
- [F3]: SEQ (Sequencer Setup) 272
- [F6]: CLICK (MIDI Click) 272
- [F8]: CTRL (Controller) 272
- [F7]: FILT (Filter) 273
- [F8]: SYNC 273
- [F4]: MIDI (MIDI Setup) 274
- [F5]: CTRL (Controller Setup) 275
- [F6]: OTHER (Other Setup) 276
- [F7]: MSG (Greeting Message) 277
- Appendix 278
- How to Install the 279
- Optional Board/ 279
- Memory (EX5/7) 279
- EXDGO1 in the EX5/7 282
- How to Install the ASIB1 282
- (page 276) 283
- How to Install the EXFLM1/ 284
- DRAM SIMM in the EX5/7 284
- Memory (EX5R) 285
- How to Install the EXIDO1 286
- EXDGO1 (Digital Output Board) 287
- (SCSI Interface Board) in the 288
- ON TERM OFF 289
- DRAM SIMM in the EX5R 290
- Troubleshooting 291
- No arpeggiator sound 292
- Distorted sounds 292
- Small sounds 292
- Wrong pitch 292
- No effect applied 293
- LCD Messages 294
- Specifications 295
- ........................ 274 299
- 188, 215, 216, 235, 236, 257 299
- 167, 271 301
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