Yamaha PLG150-AP Instrukcja Użytkownika

A Getting Started Guide: Theory of Operation for using the Voice Editor & Multi-Part Editor y for the following products: Motif-Rack Motif-Rack

relationships for themselves. They are often called “Aha!” moments or “Eureka!” moments – times when you discover for yourself the relationship betwee

Start to make the associations between a parameter in the software and where that parameter is located in the hardware, and vice versa. This exercise

Above a Drum Key screen; note C1 is selected. You can see the various parameters associated with this individual Key of the kit. You can select a Key

Chapter 2: Multi-Part Editor A view of the Multi-Part Editor main screen shows the individual Parts as mixer channels; pressing the “DETAIL” button

MULTI EDITOR: Theory of Operation The Multi Editor is a graphic user interface to the Multi mode. Basically, it is virtually all4 the parameters you c

currently in your synth. If you do not import the Voice Editor, then the USER Voices will be identified by their number and as “INIT VOICE”. The IMPOR

will open the COMMON Edit parameters. Again Editing is divided into COMMON (overall) and individual (PART) parameters. REMOTE CONTROL SETUP You will

backed parameter RAM that can store settings for both PLG board configuration and AD/mLAN Audio Input settings. The S90 ES has 64 Multi setups that ca

Chapter 3: STUDIO MANAGER Using the Multi-Part Editor and the Voice Editor together during a Session Studio Manager can be used along side your favo

Hardware/Software Integration: The Dream becomes Reality It is possible to work with the two editors together on any of the extended system products (

Products covered: Motif-Rack, Motif ES, Motif-Rack ES, S90 ES, MO6/8 This article will start with getting you used to using the Voice Editor while in

Note: this “VCE ED” feature is not available on the original Motif and Motif-Rack. In the computer software environment (using Studio Connections) th

In the screen shot above the Parts 1-8 have the INS EFF SW On. You can select any eight Parts to recall their Dual Insertion Effects. Therefore, if

Of these the AN (analog modeling 1997), DX (FM synthesis 1983), VL (acoustic physical modeling 1993), DR (drum) and PC (percussion) have their own ded

If I click on a Voice in the DX Simulator Editor it will be sent to the PLG150-DX – of course I must be sending to the correct MIDI PORT (in my case i

should always make sure your MPE has the current data from your synthesizer. All its Voices will be saved with the Multi-Part Editor file. The Future

Chapter 1: The Voice Editor A view of the Voice Editor main screen (Normal Preset Voice: Ap: Full Grand) shows that COMMON parameters are in plain vie

VOICE EDITOR: Theory of Operation The Voice Editor is a graphic user interface to the Voice mode. Basically it is the parameters you can edit in a Vo

• Once the Editor opens click on SETUP and set the MIDI IN and MIDI OUT ports so that the EDITOR can communicate in both directions using the Ports y

them. Use your computer’s ability to organize. The Librarian function of the Editor means it is easier to pull the book off the shelf when you need it

[EDIT] button a second time to implement the compare function – which reverts to letting you hear the currently stored Voice. The Voice Editor softwa

Highlight the “Overdrive” effect type and click to make the new assignment. This will return you to the Effect Detail view. Now you can edit the param

seconds). Sending a single Voice sends that data to the Edit Buffer of the hardware. 5) A Voice in the Edit Buffer of the hardware can be stored to a